La cultura organizacional se tiene que basar en coherencia, estrategia, reconocimiento y trabajo en equipo, sin eso, estamos fritos, pero lamentablemente hay "líderes" que siguen pensando que esto son hue. Si no somos capaces de ver y de reconocer al talento frente a nuestros ojos, luego no vale llorar sobre la leche derramada, porque no sólo el talento se habrá ido, si no que, generarás un clima laboral ineficiente en donde nadie da ésa milla extra porque sabe que aunque la dé, ni un obtendrá de su empresa y si así estamos, ¿ya para qué?. Si los líderes no somos capaces de reconocer errores, bajar el ego, y de paso un cambio, jamás podremos liderar un negocio sostenible que nos permita la excelencia, la productividad y la efectividad que le demandamos al talento. El sano reconocimiento al verdadero talento es necesario y por qué no decirlo, es JUSTO. I stuck my hand up until I walked away with it.Si pues, a veces puedes ser el talento del año, pero si nadie te reconoce lo que haces, te cansas y te vas., así de simple. But this piece-which was an unused variation of the opening illustration of the book-came up for auction and really appealed to me. Most of the original artwork by Blake for Dahl is very difficult to get hold of, locked away in private and museum collections. Shepard in terms of making his books household names. Dahl and Blake’s relationship mirrored that of A. This proved to be a hugely successful collaboration that played a big role in the popularity of the books. I believe it is an unused original illustration from The Enormous Crocodile by Roald Dahl, which was the first book that Dahl collaborated on with Quentin Blake as the illustrator. What is the most expensive work of art you own? They are also still relatively rare within his repertoire, while being much more achievable in terms of affordability. I have always liked the linocuts-they are very distinctively and identifiably in his style and signed linocuts maintain their collectibility. Which works or artists are you hoping to add to your collection this year? Quentin Blake, “Anthology of Readers” series. I also have a Whistler etching of Old Putney Bridge, made just before it was taken down, and they both currently hang in my home. It depicts the new Putney Bridge, which was built in the 1880s and replaced an earlier bridge that connected the two riverbanks between Fulham and Putney. Mary’s Church (1894), which is close to where I live. The painting is called Putney Bridge with St. The first painting I bought was an oil on canvas by Arthur Gordon, an English artist known for his river scenes, and I paid £2,700 ($3,300). We caught up with Pom Harrington for a read of his art collection. Illustrated by the celebrated Spanish artist Joan Miró, the book was inscribed to Peggy Guggenheim, who supported Rahon’s early forays into painting. Shepard, Kay Nielsen, and Arthur Rackham, he plans to exhibit two handmade cards by Abstract Expressionist Ad Reinhardt during his student days in the 1930s, as well as a limited-edition book of poetry by French-Mexican Surrealist Alice Rahon. Along with original illustrations from classic children’s books by E.H. In April, he’ll showcase his latest discoveries at New York’s Antiquarian Book Fair at the Park Avenue Armory. Among his treasures is a David Hockney print from the 1970s.Įver the bibliophile, Harrington regularly hits the road with his bookish finds. His art collection boasts works by such luminaries as Arthur Gordon, Glenn Brown, Michael Chandler, and South African artist Natalie Poole. Harrington’s passion for books has also spawned an interest in art. Blake also created the illustration for the frontispiece of a Beatrix Potter book that Harrington recently acquired from a charity auction. He’s especially fond of renowned illustrator Quentin Blake, whose playful art graces the pages of the beloved children’s books of Roald Dahl. and all of Europe.Īs a collector, Pom Harrington has a natural affinity for the world of books, particularly the illustrated kind. What began as a modest family affair has burgeoned into one of the largest rare book and antiquarian retailers in the U.K. Three decades later, the younger Harrington carried on the family tradition by founding the first Peter Harrington rare book store in Chelsea, then another in Mayfair. His father, Peter Harrington, launched the family’s first literary enterprise with a humble stall in London’s Chelsea Antiques Market back in 1969.
0 Comments
Leave a Reply. |